‘Look Both Ways’ is one of my favourite Australian movies. The worst-case-scenario imaginings of its main character, Meryl, are depicted in ghoulish animations, which are juxtaposed with the realistic elements of the unfolding storyline. It’s a wonderfully quirky and inspired way of bringing Meryl’s inner life to the audience and providing light relief to a film that has death at its heart: the director—the late Sarah Watt—was diagnosed with breast cancer during its making.
The film’s black humour resonates with me because, despite my scientific rationalist leanings, I think in much the same way as Meryl: worst-case-scenario is my oldest
imaginary friend defensive tactic.
I hurt my back a few weeks ago, cleaning (yes, it’s bad for one’s health). I’ve never had back problems, and when my condition hadn’t improved after a week of intermittent resting, the bone-cancer-metastasized-from-the-bowel-cancer-I’ve-yet-to-be-tested-for-serves-me-right-for making-jokes-about-it thought crept into my head . A lot of magical thinking for someone who doesn’t believe in fairies and ghosts.
The benign reality—that sitting behind a desk for 8 hours a day and in a car for close on 2.5 hours a day has turned me into a blob (note the passive construction of that last sentence), and my core strength just isn’t what it used to be—finally popped into my blobby brain, and off I went to the gym swimming pool, where I spent some time running through water, shocking neglected muscles back to life. And my back is suddenly better. Magical, isn’t it?!
For more entries to this week’s WPC, see The Daily Post.
Five favourites out of the entries so far.
Exploratorius (who can resist a good mystery?!)
Colder Weather (an ant’s perspective)
happyface313 (look up!)
autopict (things catch the eye)
Lucid Gypsy (horseying around)